Why my grandmother didn’t want me to be an artist: Art as text, caves and flickering.

Involved in all aspects of ELT since 1999, Emma Prattemma-louise-pratt-in-studio-July-2016a began her teaching career working in museum community education projects. Emma is currently Director at Frameworks Education Group and founded ELTcampus in 2014, an online learning platform for teacher development. The TEFL Preparation Course was shortlisted for an ELTon in Innovation in Teacher Resources. She edits, designs and writes for the ELT Today newsletter and its monthly podcast.

She works in teacher development for CLIL, has an interest in the application of teaching artistry in LT, is a practising visual artist and member of the Visual Arts Circle for Language Learning.

Image: Chauvet Cave: https://commons.wikimedia.org/wiki/File:18_PanneauDesLions(PartieDroite)BisonsPoursuivisParDesLions.jpg

In this article I explore what art as text can mean. I also present a couple of examples that you might actually find interesting to explore with your students.

A couple of years ago, a wise friend gifted me the curiously named “Cave of Forgotten Dreams” (Herzog, 2010). This beautifully made documentary is about some of the oldest surviving examples of visual art we have today – in the cave of Chauvet in France. The drawings are over 30,000 years old. Continue reading

Visual Literacy in the Language Curriculum

sylvia-karastathi

To inaugurate the website of the Visual Arts Circle we have invited Dr. Sylvia Karastathi of New York College, Athens, Greece who has a PhD and post-doctoral studies from the University of Cambridge, to write about the increasing important role of visual literacy in English language teaching.

Few language teachers can claim that they never use still or moving images in their lessons; yet, this standard practice is rarely touched upon in teacher training curricula on the assumption the way to introduce images into lessons is self-evident. This short article starts by introducing some key ELT resources on using images in the classroom; it then goes on to argue that we need to approach images not simply as an aid but as a key component of “multimodal communicative competence”.

The Status of the Image

In his 1966 ground-breaking study The Visual Element in Language Teaching Pit Corder made the useful distinction between “talking about images” and “talking with images”, differentiating between physical description and personal response. Since then, practical books such as Andrew Wright’s Pictures for Language Learning (1990), Jamie Keddie’s Images (2009), Ben Goldstein’s Working with Images (2009) and Peter Grundy’s et. al. English Through Art (2011) have suggested a wide variety of engaging activities that exploit the power of still images in the classroom and demonstrate their potentials to facilitate language learning. More recently, principled uses of the moving image in the classroom have become the focus of discussion in ELT with publications such as Ben Goldstein and Paul Diver’s Language Learning with Digital Video (2014) and Kieran Donaghy’s Film in Action (2015).

Continue reading